Justin Kim 저스틴 킴


61 West 9th St, New York NY
Born in Hartford, CT, Justin Kim received a B.A. from Yale and an MFA from the American University in Washington, D.C. He is currently based at The Elizabeth Foundation in New York and his work is included in public and private collections including Memorial Sloan Kettering, First Fiduciary, and Deep Springs College. Recent projects include The Box, an environmental installation in the high desert of California and a public works commission for PS46 in Bayside Queens through the New York Percent for Public Art program. Mr. Kim has taught at Yale, Dartmouth, Smith College, The University of Massachusetts, and Deep Springs College in California.
My work explores perception and memory – specifically how the information received through each is fragmented and elusive, yet made whole through our bodies. In this way our experience of the world oscillates between dissolution and synthesis. Ultimately, I want the images to speak to a broad audience; using familiar terms to challenge our assumed relationships to the world. The subject of my work is landscape; sites and spaces that resonate on a personal, aesthetic, and emotional level. The raw materials for these include reference photos, sketches, color swatches, written descriptions – anything I can use to reassemble and reconstitute the experience. Different elements become synchronized in one image: Multiple points of view are combined. Events in the distance are pulled forward. Objects are described based on subjective importance and interest. Color is chosen by sensation and mood. My materials include water based painting and drawing media. These allow me to experiment with the descriptive means: contour, shape, wash, opacity, pattern, and so on. Forms vary within the same piece: fluid to concrete, schematic to solid, rough to refined. Disparate categories are reconciled: real vs. contrived, drawing vs. painting, ironic vs. sincere, harmonious vs. dissonant. Despite this oscillation between dissolution and synthesis, the body of the viewer is reaffirmed, absorbing fragments and knitting them into a comprehensive vision.
Justin Kim



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